A Struggle in the House of Art
A wave of politicised hirings and firings in the public theatres and art galleries of Germany show an ‘anti-globalist’ trend turning into open nationalism.
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Sam Williams is a theatremaker and writer on art and politics, working between the UK and Germany. She would like to thank Christian Hartwig-Steinau, a researcher at Munich University, for sharing documents and photos used in the preparation of this article.
A wave of politicised hirings and firings in the public theatres and art galleries of Germany show an ‘anti-globalist’ trend turning into open nationalism.