Sputnik and Shed
Two photobooks documenting what could be called ‘socialist playgrounds’ reveal the differences between adults designing for children, and children designing for themselves.
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Dr Frances Hatherley is a writer, researcher and curator. Her writing engages with working-class women’s subjectivities, creativities, art works, and notions of a classed aesthetics.
Two photobooks documenting what could be called ‘socialist playgrounds’ reveal the differences between adults designing for children, and children designing for themselves.
The ‘March of the Mummies’ has drawn attention to how poor childcare provision is in Britain. A small project in southeast London suggests some ways out.
The first publication by the left-wing London archive MayDay Rooms showcases examples from the 1930s and 1970s of conscious workers using photography as a tool for solidarity and political understanding.
Paris Lees’ novel, inspired by her upbringing in the East Midlands, is a traumatic and funny story of class mobility, and of the places where the oppressions of class and gender collide.
A new online exhibition exposes the financial and cultural obstacles working-class artists face breaking through – and offers a reminder of the distinctive perspective workers bring to the arts.