The Northern Roots of Modernist Sci-Fi

By: Alex Niven

In the dying days of industry, northern England supplied the crucial animating backdrop to classic sci-fi in its formative stages.

Dazzle-Ships in Drydock at Liverpool by Edward Wadsworth, 1919, National Gallery of Canada, Ottawa.

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Synthetic winds have blown away Material dust, but this one room Rebukes the constant violet ray And dustless sheds a dusty doom. — Eileen Blair, ‘End of the Century, 1984’, Sunderland Church High School magazine, 1934 It may have been the Mancunian pop-philosopher Anthony H. Wilson — or perhaps just his alter-ego in the 2001 film 24 Hour […]

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Synthetic winds have blown away Material dust, but this one room Rebukes the constant violet ray And dustless sheds a dusty doom. — Eileen Blair, ‘End of the Century, 1984’, Sunderland Church High School magazine, 1934 It may have been the Mancunian pop-philosopher Anthony H. Wilson — or perhaps just his alter-ego in the 2001 film 24 Hour […]

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Synthetic winds have blown away Material dust, but this one room Rebukes the constant violet ray And dustless sheds a dusty doom. — Eileen Blair, ‘End of the Century, 1984’, Sunderland Church High School magazine, 1934 It may have been the Mancunian pop-philosopher Anthony H. Wilson — or perhaps just his alter-ego in the 2001 film 24 Hour […]

Synthetic winds have blown away Material dust, but this one room Rebukes the constant violet ray And dustless sheds a dusty doom. — Eileen Blair, ‘End of the Century, 1984’, Sunderland Church High School magazine, 1934 It may have been the Mancunian pop-philosopher Anthony H. Wilson — or perhaps just his alter-ego in the 2001 film 24 Hour […]

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