Ways of Ending
Mike Leigh’s apocalyptic 'Naked' was a terrifying picture of early 1990s Britain, alone in the director’s oeuvre in its brutal pessimism. How does it stand up in the equally bleak early 2020s?
I first saw Mike Leigh’s Naked when it came out in 1993. I had just graduated and had no idea what to do next, nor did the cohort of friends I went to see it with, a group of cocky but brittle young men using half-understood theory to buttress a half-formulated insistence on ‘refusal’, all […]