Invented Traditions

By: Carl Neville

Ben Wheatley’s 'In the Earth' uses the contemporary setting of the pandemic to play with some increasingly familiar imagery of folk horror and hauntology.

Small

Over the past decade or so Ben Wheatley has beaten a determinedly independent and low-budget path. His work amalgamates two main and ostensibly incompatible traditions in British cinema: the school of social realism exemplified by the likes of Ken Loach and the rich tradition of British horror produced by studios such as Hammer and Amicus. […]

Medium

Over the past decade or so Ben Wheatley has beaten a determinedly independent and low-budget path. His work amalgamates two main and ostensibly incompatible traditions in British cinema: the school of social realism exemplified by the likes of Ken Loach and the rich tradition of British horror produced by studios such as Hammer and Amicus. […]

Large

Over the past decade or so Ben Wheatley has beaten a determinedly independent and low-budget path. His work amalgamates two main and ostensibly incompatible traditions in British cinema: the school of social realism exemplified by the likes of Ken Loach and the rich tradition of British horror produced by studios such as Hammer and Amicus. […]

Over the past decade or so Ben Wheatley has beaten a determinedly independent and low-budget path. His work amalgamates two main and ostensibly incompatible traditions in British cinema: the school of social realism exemplified by the likes of Ken Loach and the rich tradition of British horror produced by studios such as Hammer and Amicus. […]

Sorry, but this article is available to subscribers only. Please log in or become a subscriber.